Musical Innovations in the First World War
-
Advertisement for a “Phonola piano player” by the Hupfeld company (Berlin)
Copyright: Phonolamusic, Wien
-
Announcement for Das Buch des Einarmigen by Géza Zichy, newspaper extract from: Oesterreichisch-ungarische Buchhändler-Correspondenz (No. 43) of 28 October 1914
Copyright: ÖNB/ANNO
Partner: Austrian National Library
Lautarchiv am Institut für Musikwissenschaft und Medienwissenschaft. Unter: http://www.sammlungen.hu-berlin.de/sammlungen/78/ (20.06.2014)
Soldatenlieder der k .u. k. Armee. CD mit Kommentaren von Oskar Elschek. [Tondokumente aus dem Phonogrammarchiv], 2012. Unter: http://verlag.oeaw.ac.at/index.phtml?act=ps&aref=1947 (20.06.2014)
Sommer, Isabella: Die Phonola – ein gesellschaftlich und musikhistorisch relevantes Medium zur Zeit des Ersten Weltkriegs, Wien 2013. Unter: http://www.phonolamusic.at/index.php?id=28 (20.06.2014)
Suchy, Irene et al. (Hrsg.): Empty sleeve: Der Musiker und Mäzen Paul Wittgenstein, Innsbruck 2006
-
Kapitel
- ‘Long jackets instead of Tailcoats’ – The Music Business in Times of Austerity
- Arousing Patriotic Sentiments in the Concert of Nations
- ‘In War the Muses Learn How to Serve’
- Serious Times – Serious Art
- ‘I’d like to dance, I’d like to shout for joy’ – Popular Music in the First World War
- ‘German Musical Life and How to Delouse It’ – Music for Use in the War
- ‘What the soldier in battle dress is singing now will be sung by the entire German people in rare unity.’ – Soldiers’ Songs as Collectors’ Items
- ‘It’s Hugo’s damned duty not to die for the fatherland before I’ve got my Act III.’ – Richard Strauss and the First World War
- Militarism and Terror Set to Music
- ‘La Victoire en chantant’ – The French chanson in the First World War
- Musical Innovations in the First World War
- Composers’ Fates: War, Death and the Longing for Peace and Overcoming Memories
- Star Composers and the Great War
