Pre-war
1914
Outbreak of the war
1915
1916
1917
1918
End of the war
Post-war

The War Euphoria Myth

Critical observations on the war craze in summer 1914

The idea of the all-inclusive enthusiasm for war long dominated the historiography of the First World war. More recent historical research has however unmasked the theory of a euphoria encompassing all classes and political parties as a legend and attests that this view is biased and one-sided.

 

The press played a pre-eminent role in the 'intellectual' mobilisation for the war and was among the factors responsible for the growth of the legend. There were frequent reports of enthusiastic recruits merrily going off the front wearing their “Tauglichkeits-Sträußerln” – plant and floral sprays as trophies of their fitness to serve. Newspapers were full of photographs and reports of cheering crowds taking their farewells from the soldiers – all certain of victory – with flowers and patriotic songs. Many young people who felt a certain futility in their existence saw an adventure in the war, a welcome opportunity for breaking out of this 'dull life'. Another reason why many young men volunteered to serve in the army was the enhanced revaluation of their masculinity. Those found to be unfit to serve were bitterly disappointed and felt it to be an unbearable disgrace.

But not all people welcomed the war. The reactions to its outbreak were diverse and included affirmation and acceptance but also criticism and rejection. Uncertainty and depression quite considerably tempered the general mood. Philip Schuster, then twelve years old, recounted his memories of August 1914 in an interview: "People cheered them on, giving them courage: […] we’ll soon see one another again! Happy shouting from the people. There were also tears – they should make sure they come back soon! […] The feelings of some were joyful, some afraid, and that’s how the cheering was as well. […] The way the people cheered them off was of course a mixture of fear, joy and fear."

Enthusiasm and jubilation was found less among the working class and in rural districts. Cheering people and patriotic demonstrations were not as noticeable in the smaller towns and villages as they were in larger cities. And the women left at home were frequently beside themselves with anxiety about the survival of the male members of the family, and worries about their own security and existence. For women from the rural milieu the recruitment of the men brought directly threatened the running of their farms, and new demands were made on them in work and efficiency. This is reflected in an excerpt from the war memoirs of Amabile Maria Broz from Trent, translated into German from Italian by Oswald Überegger: "But the first of August was a day that surely no one will ever forget. At seven o’ clock in the morning I saw a bill posted on a building wall calling up all men between the ages of 21 and 40 who had done military service. Oh no! What unhappy news. My brothers came the next day, the second of August. I had to get up at three o’clock in the morning and make breakfast together with my mother. You can’t imagine their appetites! After a few bites they left; they hadn’t the heart to say good bye. I’m now left alone with my aged parents, tormented with grief."

However, critical attitudes or objections to the war had no place in newspaper reports. Censorship did not permit alternative interpretive patterns and critical points of view, public opinion was brought into line and boosted the enthusiasm for war – the voices of war objectors remained unheard in many cases. Nevertheless, autobiographical texts provide an eloquent testimony that the anxieties about son or husband going off to the front and the fear of what was to come frequently overshadowed the war euphoria. The farmer from Trent Giovanni Zontini noted in his diary: "The train was adorned with flowers, sprays and flags, but thoughts were grave, death did not seem far away. The songs were sad, sad as birds on snow."

 

Translation: Abigail Prohaska

 

 

Bibliografie 

Ernst, Petra/Haring, Sabine A./Suppanz, Werner: Der Erste Weltkrieg – Zeitenbruch und Kontinuität. Einleitende Bemerkungen, in: Dies. (Hrsg.): Aggression und Katharsis. Der Erste Weltkrieg im Diskurs der Moderne, Wien 2004, 15-41

Ferguson, Niall: Der falsche Krieg. Der Erste Weltkrieg und das 20. Jahrhundert, Stuttgart 1999

Geinitz, Christian: Kriegsfurcht und Kampfbereitschaft. Das Augusterlebnis in Freiburg. Eine Studie zum Kriegsbeginn 1914, Essen 1998

Hofer, Hans-Georg: Effizienzsteigerung und Affektdisziplin. Zum Verhältnis von Kriegspsychiatrie, Medizin und Moderne, in: Ernst, Petra/Haring, Sabine A./Suppanz, Werner (Hrsg.): Aggression und Katharsis. Der Erste Weltkrieg im Diskurs der Moderne, Wien 2004, 219-242

Leidinger, Hannes/Moritz, Verena: Der Erste Weltkrieg, Wien/Köln/Weimar 2011

Rauchensteiner, Manfried: Der Erste Weltkrieg und das Ende der Habsburgermonarchie 1914–1918, Wien/Köln/Weimar 2013

Sauermann, Eberhard: Literarische Kriegsfürsorge. Österreichische Dichter und Publizisten im Ersten Weltkrieg, Wien/Köln/Weimar, 2000

Steininger, Rolf: Einleitung: „Gott gebe, daß diese schwere Zeit bald ein Ende nimmt.“ Tirol und der Erste Weltkrieg, in: Eisterer, Klaus/Steininger, Rolf (Hrsg.): Tirol und der Erste Weltkrieg, Innsbruck 2011, 7-25

Überegger, Oswald: Der andere Krieg. Die Tiroler Militärgerichtsbarkeit im Ersten Weltkrieg, Innsbruck 2002

Verhey, Jeffrey: Der Geist von 1914, in: Der Tod als Maschinist. Der industrialisierte Krieg 1914–1918. Eine Ausstellung des Museums Industriekultur Osnabrück im Rahmen des Jubiläums „350 Jahre Westfälischer Friede“ 17. Mai – 23. August 1998. Katalog, Bramsche 1998, 47-53

Winkelhofer, Martina: So erlebten wir den Ersten Weltkrieg. Familienschicksale 1914–1918. Eine illustrierte Geschichte, 2. Auflage, Wien 2013

 

 Quotes:

"People cheered them on …": Schuster, Philipp: Teils freudig, teils ängstlich [Interview], quoted from: Geinitz, Christian: Kriegsfurcht und Kampfbereitschaft. Das Augusterlebnis in Freiburg. Eine Studie zum Kriegsbeginn 1914, Essen 1998, 182 (Translation)

"But the first of August  …": Kriegserinnerungen der Amabile Maria Broz, abgedruckt in: Antonelli, Q./Leoni, D./Marzani, M. B./Pontalti, G. (Hrsg.): Scritture di guerra, Rovereto 1996, 40, quoted from: Überegger, Oswald: Der andere Krieg. Die Tiroler Militärgerichtsbarkeit im Ersten Weltkrieg, Innsbruck 2002, 390 (Translation)

"The train was adorned …": Giovanni Zontini, quoted from: Steininger, Rolf: Einleitung: „Gott gebe, daß diese schwere Zeit bald ein Ende nimmt.“ Tirol und der Erste Weltkrieg, in: Eisterer, Klaus/Steininger, Rolf (Hrsg.): Tirol und der Erste Weltkrieg, Innsbruck 2011, 13 (Translation)

 

 

Contents related to this chapter

Aspects

  • Aspect

    Guiding the masses

    Guiding the mood of the masses was an important aspect of warfare during the First World War. Considerable information and communication work was carried out to persuade the population of the “true facts”. All areas of life were influenced by propaganda in a way that had not been seen hitherto: reports in the newspapers, posters on the walls, even teaching material in schools now communicated controlled information. What methods and media were used? How did the various warring nations attempt to influence public opinion? What was communicated and how effective was the propaganda?

Persons, Objects & Events

  • Object

    War enthusiasm

    This brass kitchen mortar was exchanged as part of a metal collection for an iron mortar as an example of the possible ways of participating actively in the war and showing enthusiasm for it. When the First World War broke out, large sections of the Austro-Hungarian population were gripped by veritable euphoria. This enthusiasm was not shared by all sectors of society, however. It was strong in urban, bourgeois and intellectual circles, less so in the rural and working population.

  • Object

    Media

    All Quiet on the Western Front was released in 1930. It was the film of Erich Maria Remarque’s novel of the same name about the experiences of a soldier during the First World War. Remarque’s book and the film adaptation are classic anti-war statements. Alongside the patriotic, glorified heroic epics and “authentic” documentation of service for the fatherland, this was just one way in which the First World War was portrayed in literature and films – a medium that had come into being only twenty years before the outbreak of war.