Pre-war
1914
Outbreak of the war
1915
1916
1917
1918
End of the war
Post-war

"At last we welcomed with flowers what had been overdue and suppressed for so long."

War euphoria and exultation in summer 1914

Immediately after the outbreak of the First World War, widespread sections of the Austrian-Hungarian population were gripped by nothing less than a war craze, scarcely conceivable from today’s perspective and knowing how many millions were killed through the war.

 


 

Enthusiasm for the war was evident not only in the Dual Monarchy but also in many other countries waging war. This mood reached a climax especially in Germany in late July and early August 1914. Public squares and streets were crowded with cheering people acclaiming the German Fatherland and demonstrating for the war. In the cities of the Habsburg Monarchy there were also frequent mass gatherings and patriotic demonstrations. Railway stations saw scenes of riotous celebration, manifest in newspaper pictures of the time. The recruits were hailed and sent off with flowers and tokens of affection. They went to war with confidence and certainty of victory, which – as was prophesied – would be theirs in any case within a few months.

Even Stefan Zweig, a writer who later spoke out in no uncertain terms against the war had to admit that "there was a majestic, rapturous and even seductive something in this first outbreak of the people from which one could escape only with difficulty. […] As never before, thousands and hundreds of thousands of people felt as they should have felt in peace time, that they belonged together […] each one experienced an intensification the self; he was no longer the isolated human being from earlier, he was integrated into the mass, he was the nation, and his person, his otherwise unnoticed person, had been given a meaning."

This is the feeling described by Stefan Zweig of a retrieved national unity; it describes the mood prevalent in July and for Germany the so-called "Augusterlebnis" (August experience). In the ecstasy of national exultation class distinctions seemed set aside and rivalling social classes united. "I know no more parties, I know only Germans" – thus the motto of the German Kaiser.

The war was deemed to be a means of overcoming the disintegration of society exacerbated by industrialisation and modernisation. With it, national and social tensions would retreat into the background and social distinctions abolished. The idea of national unity was of special significance most of all for the Habsburg Monarchy, for its stability had begun to totter owing to the enduring conflicts of nationalities. The author Hermann Bahr revealed his enthusiasm when he wrote: "The whole of Austria is one, of the same will, the same readiness, the same self-sacrifice, Germans, Slavs and Hungarians brothers, no more strife, harmony everywhere, Austria is here again! It seems a miracle. Whoever would have thought it?"

Nonetheless, this enthusiasm for the war was not a phenomenon that encompassed all sections of society, but one of many different sentiments to be found in the population in summer 1914. Propagandist and generalising versions of these sentiments deliberately camouflaged the ambivalent and negative voices at the outbreak of the war and thus hindered a more discriminating view.

 

Translation: Abigail Prohaska

 

Bibliografie 

Ernst, Petra/Haring, Sabine A./Suppanz, Werner: Der Erste Weltkrieg – Zeitenbruch und Kontinuität. Einleitende Bemerkungen, in: Dies. (Hrsg.): Aggression und Katharsis. Der Erste Weltkrieg im Diskurs der Moderne, Wien 2004, 15-41

Ferguson, Niall: Der falsche Krieg. Der Erste Weltkrieg und das 20. Jahrhundert, Stuttgart 1999

Rauchensteiner, Manfried: Der Erste Weltkrieg und das Ende der Habsburgermonarchie 1914–1918, Wien/Köln/Weimar 2013

Sauermann, Eberhard: Literarische Kriegsfürsorge. Österreichische Dichter und Publizisten im Ersten Weltkrieg, Wien/Köln/Weimar, 2000

Steininger, Rolf: Einleitung: „Gott gebe, daß diese schwere Zeit bald ein Ende nimmt.“ Tirol und der Erste Weltkrieg, in: Eisterer, Klaus/Steininger, Rolf (Hrsg.): Tirol und der Erste Weltkrieg, Innsbruck 2011, 7-25

Verhey, Jeffrey: Der Geist von 1914, in: Der Tod als Maschinist. Der industrialisierte Krieg 1914–1918. Eine Ausstellung des Museums Industriekultur Osnabrück im Rahmen des Jubiläums „350 Jahre Westfälischer Friede“ 17. Mai – 23. August 1998. Katalog, Bramsche 1998, 47-53

Winkelhofer, Martina: So erlebten wir den Ersten Weltkrieg. Familienschicksale 1914–1918. Eine illustrierte Geschichte, 2. Auflage, Wien 2013

 

Quotes:

"At last we welcomed with flowers ...": Mann, Golo: Deutsche Geschichte des 19. und 20. Jahrhunderts, Frankfurt am Main 1995, 589, quoted from: Ernst, Petra/Haring, Sabine A./Suppanz, Werner: Der Erste Weltkrieg – Zeitenbruch und Kontinuität. Einleitende Bemerkungen, in: Dies. (Hrsg.): Aggression und Katharsis. Der Erste Weltkrieg im Diskurs der Moderne, Wien 2004, 16 (Translation)

"there was a majestic …": Zweig, Stefan: Die ersten Stunden des Krieges von 1914, in: ders.: Die Welt von Gestern. Erinnerungen eines Europäers, Frankfurt am Main 1970, 258, quoted from: Duiker, William J./Spielvogel, Jackson J.: World History. Volume II: Since 1500,  Wadsworth 20137, 669

"I know no more parties …": Wilhelm II., quoted from: Verhey, Jeffrey: Der Geist von 1914, in: Der Tod als Maschinist. Der industrialisierte Krieg 1914–1918. Eine Ausstellung des Museums Industriekultur Osnabrück im Rahmen des Jubiläums „350 Jahre Westfälischer Friede“ 17. Mai – 23. August 1998. Katalog, Bramsche 1998, 49 (Translation)

"The whole of Austria is one …": Bahr, Hermann: Das österreichische Wunder, Stuttgart 1915, 5f., quoted from: Ernst, Petra/Haring, Sabine A./Suppanz, Werner: Der Erste Weltkrieg – Zeitenbruch und Kontinuität. Einleitende Bemerkungen, in: Dies. (Hrsg.): Aggression und Katharsis. Der Erste Weltkrieg im Diskurs der Moderne, Wien 2004, 18 (Translation)

 

Contents related to this chapter

Aspects

Persons, Objects & Events

  • Object

    The role of the intellectual in the war

    The year 1914 brought about an incisive change in their private and professional lives of many intellectuals. Formerly international intellectual and artist circles collapsed, many intellectuals entered the war, voluntarily or not, and many of them failed to return.

  • Object

    War enthusiasm

    This brass kitchen mortar was exchanged as part of a metal collection for an iron mortar as an example of the possible ways of participating actively in the war and showing enthusiasm for it. When the First World War broke out, large sections of the Austro-Hungarian population were gripped by veritable euphoria. This enthusiasm was not shared by all sectors of society, however. It was strong in urban, bourgeois and intellectual circles, less so in the rural and working population.

  • Person

    Stefan Zweig

    Like many of his contemporaries, Stefan Zweig was euphoristic at the start of the war, but this attitude changed radically from 1915 on. After working in the War Archives, he used the opportunity of a lecture series in neutral Switzerland to become an exile.

  • Person

    Wilhelm II.

    Kaiser of the German Empire since 1888, Wilhelm as its ruler emphasised the new role of Germany as a great power.

Developments

  • Development

    War as solution?

    Intellectual circles, writers, artists, academics, philosophers and scientists in particular saw the war as a solution to many of the problems confronting the Monarchy. They regarded the call to arms as a catharsis, a purifying force, and an opportunity to escape from the despised and weary pre-war world with its seemingly insoluble social and national conflicts.