In his novel Die Kapuzinergruft (The Capuchins’ Crypt, published in English as The Emperor’s Tomb) (1938) Joseph Roth formulates a literary diagnosis of the superficial and foolish profile of soldiers from Vienna, the city of the waltz: ‘They were all too spoiled in Vienna, this city fed incessantly by the crown lands of the Monarchy, these harmless, almost ridiculously harmless, children of the capital and imperial residence, pampered and sung about much too often.’