The First World War led to a campaign by conservative art and culture critics against the ‘modern’. In page after page of treatises music critics and musicologists concerned themselves with the ‘analysis’ of the music being produced at the time and with performance practice; and they prescribed what the function and development of music in wartime should look like.
This website uses cookies.
We employ strictly necessary and analysis cookies. Analysis cookies are used only with your consent and exclusively for statistical purposes. Details on the individual cookies can be found under “Cookie settings”. You can also find further information in our data protection declaration.